--- Documentary Growing 1981 Larry Rivers Link Download Portable Jun 2026

University art department archives frequently hold copies of artist documentaries for research purposes.

The film is only 58 minutes long, shot on 16mm film in grainy, naturalistic light. Unlike slick art documentaries (e.g., Rivers and Tides about Andy Goldsworthy), Growing is deliberately amateurish—rejecting a linear narrative in favor of a “diary” approach.

The documentary footage captures Rivers in his element—often disheveled, brilliantly articulate, and dangerously charismatic. Whether he is discussing his transition from music to painting, his rivalry with Abstract Expressionists, or his personal life, the content is "entertaining" because it feels raw.

The film serves as a literal and metaphorical examination of what it means to "grow"—from youth to adulthood, and from mid-life into old age.

In 2010, Emma Rivers Tamburlini publicly came forward to demand that NYU remove the footage from their archives and return it to her and her sister. Tamburlini explicitly detailed the psychological toll the project took on her childhood: --- Documentary Growing 1981 Larry Rivers LINK Download

To understand the motivation behind "Growing," it's essential to first understand the man who made it. Larry Rivers (born Yitzroch Loiza Grossberg, 1923-2002) was a central, if often overlooked, figure in the post-war New York art scene. Often referred to as the "Godfather" of Pop Art, Rivers was a renaissance man of immense talent and equally immense ego. His career spanned painting, sculpture, poetry, acting, and jazz music, having started as a professional jazz saxophonist before turning to art.

The background of the film features raw footage of downtown Manhattan loft culture, casual drop-ins by famous contemporaries, and the gritty, unmonetized art world of the early '80s.

Larry Rivers : Growing (1981) – A Look into a Controversial Archive

Due to its nature as an art documentary from the early 1980s, accessing Growing might require utilizing film archives or specialized educational platforms. Those interested in studying the film often search for archival footage or digital links that provide access to his creative process. University art department archives frequently hold copies of

Emma begged the Foundation and NYU to destroy the footage. She told the New York Times , "I kind of think that a lot of people would be very uptight, or at least a little bit concerned, wondering whether they have in their archives child pornography".

One particular archival item that frequently sparks online searches is the footprint of a 1981 project or broadcast often queried as the .

Information regarding the artist's recognized works in the pop art movement, such as his paintings and sculptures, can be found through major museum archives like the Museum of Modern Art (MoMA) or the Whitney Museum of American Art.

The Larry Rivers Foundation maintains control of the physical tapes but has heavily restricted access out of respect for the family's privacy and legal boundaries. In 2010, Emma Rivers Tamburlini publicly came forward

The documentary , released in 1981, is a direct, fly-on-the-wall exploration of Larry Rivers. Instead of a traditional, heavily narrated biography, the film focuses on the act of creation.

🎞️ A unique hybrid of documentary and art film, "Growing" reflects Rivers' multidisciplinary approach as a painter, sculptor, and filmmaker. It’s a meditative piece on nature, creation, and change.

Any website claiming to offer a "LINK Download," torrent, or streaming link for the 1981 documentary Growing is fraudulent.

The project was filmed over several years to document the daughters' transition into adolescence.

Rivers gained notoriety in the 1950s for his iconoclastic approach to traditional imagery. His famous works, such as Washington Crossing the Delaware (1953), challenged the prevailing orthodoxy of Abstract Expressionism by reintroducing narrative and figurative elements, paving the very runway that Pop Art would later take off from. He was witty, rebellious, and deeply invested in documenting his immediate surroundings, which naturally led him to the medium of video tape in the late 1960s and 1970s. The 1981 Documentary: "Growing"