This public link is valid for 7 days and shares a thread, including any personal information you added. This link or copies made by others cannot be deleted. If you share with third parties, their policies apply. Can’t copy the link right now. Try again later.
: Most Legacy Recordings remasters for Paul Simon were standardized at 24-bit/96 kHz rather than 88.2 kHz. Audiophiles often prefer 88.2 kHz for material originally recorded at 44.1 kHz (as it is a direct multiple), but the 96 kHz versions currently available on high-res stores represent the modern archival standard for his work.
This guide covers Paul Simon’s major studio albums, notable compilations, and key soundtrack/collaboration releases from 1965 through 2023, with practical notes on locating high-quality FLAC (lossless) files at 88.2 kHz or comparable sample rates. It focuses on legal acquisition, remasters/box sets to prefer, and tips for verifying audio quality.
Many high-res reissues (available on platforms like Qobuz ) are sourced from the original analogue tapes, offering a warmer, more authentic sound than standard digital remasters. Key Eras in the Paul Simon Discography (1965-2023) 1. The Early Folk & Acoustic Phase (1965) paul simon discography 19652023 flac 88 better
To understand why the 1965–2023 discography shines in high-resolution FLAC, we look at the specific sonic transformations of his key albums. There Goes Rhymin' Simon (1973) "Kodachrome", "American Tune"
Paul Simon 's solo discography from consists of 15 studio albums , ranging from his acoustic debut The Paul Simon Songbook to the spiritually-focused Seven Psalms . While a singular "88.2 kHz" box set for the entire 1965–2023 period is not a standard retail release, a majority of his catalog is available in high-resolution 24-bit/96 kHz FLAC through platforms like Qobuz . Paul Simon Studio Discography (1965–2023) Album Title High-Res Availability (FLAC) The Paul Simon Songbook 24-bit / 44.1 kHz Paul Simon 24-bit / 96 kHz There Goes Rhymin' Simon 24-bit / 96 kHz Still Crazy After All These Years 24-bit / 96 kHz One-Trick Pony 24-bit / 96 kHz Hearts and Bones 24-bit / 96 kHz Graceland 24-bit / 96 kHz The Rhythm of the Saints 24-bit / 96 kHz Songs from The Capeman 24-bit / 96 kHz You're the One 24-bit / 96 kHz Surprise 24-bit / 44.1 kHz So Beautiful or So What 24-bit / 96 kHz Stranger to Stranger 24-bit / 96 kHz In the Blue Light 24-bit / 96 kHz Seven Psalms High-Res Digital Audio Fidelity & "FLAC 88.2" Context
With Graceland (1986) and The Rhythm of the Saints (1990), Simon revolutionized world-music fusion. Graceland blended South African Mbaqanga rhythms with digital synthesis and fretless bass guitars, creating an incredibly dense, layered soundstage. Rhythm of the Saints added complex Afro-Brazilian drumming patterns that require immense dynamic range to accurately reproduce. 4. Late-Career Mastery and Ambient Textures (2000–2023) This public link is valid for 7 days
: Shifting his gaze to Afro-Brazilian drumming troupes, this album features incredibly dense percussion beds. Standard MP3s or CDs turn these complex rhythms into a wall of white noise. High-resolution FLAC untangles the web of batucada drums, allowing you to hear the distinct pitch and placement of every single drum hit. Era 3: Late-Career Experimentation (2000–2023)
The Sonic Evolution of Paul Simon: A High-Resolution Journey (1965–2023) Paul Simon
Throughout the 1970s, Simon continued to release critically acclaimed albums, including "There Goes Rhymin' Simon" (1973), "Paul Simon" (1975), and "Graceland" (1986). The latter album, which incorporated African rhythms and instrumentation, won three Grammy Awards and is widely regarded as one of the greatest albums of all time. Can’t copy the link right now
The high-resolution experience reveals the intimacy of Simon’s early songwriting.
: As noted on Wikipedia's Graceland Page , this masterpiece went on to sell over 16 million copies worldwide. Merging South African mbaqanga music with American pop, it is an audiophile gold standard. In 88.2kHz FLAC, the fretless bass runs by Bakithi Kumalo on "You Can Call Me Al" are perfectly articulated, and the rich, multi-layered vocal harmonies of Ladysmith Black Mambazo wrap around the listener with absolute clarity.
The Paul Simon 1965–2023 discography is a historical roadmap of American musical genius. Experiencing these albums in 24-bit/88.2kHz FLAC format is the ultimate way to honor that legacy. By revealing hidden details, expanding the soundstage, and preserving the warm analog character of his classic tracks, this high-resolution collection is an essential upgrade for any serious listener.
For the "FLAC 88.2kHz or better" experience, several definitive editions exist: