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Meg Ryan, Julia Roberts, Hugh Grant, and Matthew McConaughey became the faces of this movement. Movies like Pretty Woman (1990), Notting Hill (1999), and How to Lose a Guy in 10 Days (2003) prioritized escapism, witty banter, and high-concept premises. Simultaneously, dramatic romances like The Notebook (2004) satisfied the audience's craving for epic, all-consuming, multi-generational passion.

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Fast forward to the late 20th century, and underwent a seismic shift. The Romantic Comedy (Rom-Com) became king. Films like When Harry Met Sally... (1989), Pretty Woman (1990), and Notting Hill (1999) introduced a new archetype: the flawed but lovable everyman/woman.

Dominated by the "screwball comedy" and grand melodrama, these films often focused on wit-driven courtship or tragic forbidden love. The relationship was often about overcoming social class barriers, adhering to strict moral codes, and the inevitable "happily ever after" marriage [1].